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Kino Flo® Lighting Systems’ True Match® FreeStyle LED tubes are specially designed for operation in FreeStyle T44 fixtures for film production or stage design lighting. The FreeStyle LED tubes display Kino Flo’s True Match white light and RGBWW color management system found in Kino Flo’s LED lighting fixtures. The tubes are 4ft (1.2m). On camera, FreeStyle LED tubes photograph with the same softness, the same subtle color reproduction as Kino Flo’s award-winning T12 high-output lamps. In addition to the >95 photo rendering index, cinematographers will see the difference the 310° LED tube makes when operated in a fixture or out of the fixture as a remote “sabre” of light. Paired with the FreeStyle T44 fixture’s light intensifying reflector, the tube projects soft light forward at a 100° beam angle at about the same light levels you’d get from a 1000W tungsten softlight

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The FreeStyle 41 is known for its >96 white light, full hue and saturation color, cinema gel choices, and RGB chromatic selection via the AC/DC FreeStyle 150Watt controller. It has built-in Lumen Radio® wireless DMX. The light can also be operated directly up to 50 feet away from the controller via Kino Flo head cables. The Freestyle's driver technology achieves bright, soft light with continuous dimming from 100% to 0% on a linear or square curve without flicker at higher camera speeds or at varied shutter angles. There is no light level change when shifting from 2500K to 9900K, and the color doesn't change when the light levels rise or fall.

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Kino Flo's Select LED 30 and 20 DMX systems were launched with great success in June 2016. Lighting crews embraced the remote LED controller and the light-weight fixture that allow for rigging flexibility. In addition, users welcomed the ability to dim without color shift, dial in Kelvin temperatures, and select Green/Magenta settings using on-board controls or DMX lighting consoles. But, there was also a built-in secret.

Kino Flo launched the Select LED system as a white light source with Green/Magenta selection. Kino Flo used an RGB emitter to control the Green/Magenta color, but we knew that the RGB feature could do more. We just needed to sort out a menu system that would be as intuitive when using the controller manually as when using it on DMX.

The solution was to have a second menu option. Those who prefer to work with white light can use the "white menu" that gives the user access to Dimming, Kelvin and Green/Magenta control channels.

Those who want additional features can switch over to the new "color menu". In the color menu, the Kelvin range travels from 2500K tungsten to 9900K daylight, and Kino Flo has set up a fourth channel called Gels. The Gel channel includes Kino Flo colors to match Candle Flame, Warm White, Cool White, Sodium Vapor, Mercury Vapor, 20K Blue Sky, Green Screen and Blue screen.

In addition, there is a range of gels that can be applied to any Kelvin setting. Simply scroll through the menu to choose up to 105 well-known lighting gels.

In the color menu there is also a fifth channel called Hue Angle and sixth channel, Saturation. These two channels behave similar to a traditional color wheel, where you have white light in the center, the Hue angle determines the color along a 360-degree range, and Saturation determines how much color is applied. For example, if a user wants to review the choices, they can set Saturation to 100% and scroll through 360-degrees of color to choose the desired hue, and adjust the Saturation to their liking. Reducing the saturation to "0" will take the settings back to white light.

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Kino Flo's Select LED 30 and 20 DMX systems were launched with great success in June 2016. Lighting crews embraced the remote LED controller and the light-weight fixture that allow for rigging flexibility. In addition, users welcomed the ability to dim without color shift, dial in Kelvin temperatures, and select Green/Magenta settings using on-board controls or DMX lighting consoles. But, there was also a built-in secret.

Kino Flo launched the Select LED system as a white light source with Green/Magenta selection. Kino Flo used an RGB emitter to control the Green/Magenta color, but we knew that the RGB feature could do more. We just needed to sort out a menu system that would be as intuitive when using the controller manually as when using it on DMX.

The solution was to have a second menu option. Those who prefer to work with white light can use the "white menu" that gives the user access to Dimming, Kelvin and Green/Magenta control channels.

Those who want additional features can switch over to the new "color menu". In the color menu, the Kelvin range travels from 2500K tungsten to 9900K daylight, and Kino Flo has set up a fourth channel called Gels. The Gel channel includes Kino Flo colors to match Candle Flame, Warm White, Cool White, Sodium Vapor, Mercury Vapor, 20K Blue Sky, Green Screen and Blue screen.

In addition, there is a range of gels that can be applied to any Kelvin setting. Simply scroll through the menu to choose up to 105 well-known lighting gels.

In the color menu there is also a fifth channel called Hue Angle and sixth channel, Saturation. These two channels behave similar to a traditional color wheel, where you have white light in the center, the Hue angle determines the color along a 360-degree range, and Saturation determines how much color is applied. For example, if a user wants to review the choices, they can set Saturation to 100% and scroll through 360-degrees of color to choose the desired hue, and adjust the Saturation to their liking. Reducing the saturation to "0" will take the settings back to white light.

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The Diva-Lite 21’s “All in One” design includes standard DMX in/out ports for cable as well as wireless DMX connectivity (Lumen Radio®). Additional specifications include universal AC voltage input 100-240vac (1.25 Amps at 120vac) as well as a 3-Pin XLR for 24vdc operation (6.25A).

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